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Broadcast # 070630 - Information Page

Broadcast # 070630 Play List.

Big O - Jokes
Martin O'Connor - Traditional Irish Music
Bill Whelan - River Dance Theme Music
Paul Molone - Jokes
Sharon Shannon - Bungee Jumping
The Dubliners - Seven Drunken Nights
Andy Stewart - Donald, Where's Yer Troosers?
Dusty Young - Jokes
Séamus Begley & Stephen Cooney - Seol do Bhó
Shaun Connors - Jokes
Tim O'Riordan & Natural Gas - Song Selection
Conal Gallen - Jokes
Christy Moore - Joxter Goes To Stuttgart
Frances Black - Once You Said You Loved Me

Show 070630

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Big O
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Martin O'Connor
In a session that unites four of the finest, most innovative musicians in Ireland, you can expect nothing short of pure raw creative and electric genius.
Máirtin O'Connor’s remarkable career stretching back to the late 70's has seen him as a member of leading traditional groups

 

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Bill Whelan - Riverdance
Composer
Bill has worked extensively in theatre and film. Appointed composer to the W.B.Yeats International Theatre Festival at Ireland's National Abbey Theatre in 1989, he wrote original music for 15 Yeats plays. His adaptation of HMS Pinafore received a Laurence Olivier Award nomination. His work in film includes original scores for Dancing At Lughnasa starring Meryl Streep, Some Mother's Son starring Helen Mirren and Lamb starring Liam Neeson. Music for television includes The Seven Ages, Sean O'Mordha's history of the Irish State. The Seville Suite was his first large scale orchestral work, commissioned for Ireland's National Day at Expo '92 in Seville. The Spirit Of Mayo followed in 1993. His composition Inishlacken has been performed in Europe and the USA. His concerto Carna, the second in a series of three pieces for chamber orchestra, premiered in Carnegie Hall in March of this year and featured soloists Zoë Conway, Morgan Crowley and Colin Dunne.
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Paul Molone

Where other comedians perform from forty minutes to an hour, Paul's show is two hours of non-stop laughter. Paul’s show covers every subject under the sun. Politicians, Priests, Marriages, Divorce, Growing up, School, Teenage years, Joy-riders and Hospitals – just to mention a few. His send-ups of famous bands and singers have become legendary around the country.

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Sharon Shannon
Sharon Shannon

is an Irish musician from the village of Ruan in County Clare. She is best known for her work with the accordion and her violin fiddle technique, but has also played the tin whistle and melodeon. Her 1991 album Sharon Shannon is the best selling album of traditional Irish music ever released there[1]. Beginning with British Isles folk music, her work demonstrates a wide-ranging number of musical influences, including reggae, cajun music, Portuguese music, and French Canadian music. Her single What You Make It (da, da, da, da) featured hip hop music artists Marvel and Lady K. Her work has also been remixed as dance music.

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The Dubliners

The Dubliners formed in 1962. They made a name for themselves playing regularly in O'Donoghue's Pub in Dublin. The founding members were Ronnie Drew, Luke Kelly, Ciaran Bourke and Barney McKenna. Drew spent some time in Spain in his younger years where he learned to play Flamenco guitar, and he accompanied his songs on a Spanish guitar. His gravelly voice has been compared to a cement mixer and the sound of coke (coal) being crushed under a door, it is instantly recognizable. Drew left the band in 1974 to spend more time with his family, to be replaced by Jim McCann. He returned to the Dubliners five years later, but left the group again in 1995. Paddy Reilly took his place this time around. Some of his most significant contributions to the band are the hit single "Seven Drunken Nights", his rendition of "Finnegan's Wake", and "McAlpine's Fusiliers". Luke Kelly was more of a balladeer than Drew, and he played chords on the five-string banjo. Kelly sang many defining versions of beautiful songs: traditionals like "The Black Velvet Band", "Whiskey in the Jar", "Home Boys Home"; but also Phil Coulter's "The Town I Loved So Well", Ewan McColl's "Dirty Old Town" and "Raglan Road", written by the famous Irish poet Patrick Kavanagh. Kavanagh met Kelly in a pub, and asked him to sing the song.

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Andy Stewart

Andy Stewart (30 December 1933 - 11 October 1993) was a Scottish singer and entertainer. The use of tartan patriotism and stereotypical Scottish humour goes back to Sir Harry Lauder and music hall songs. In the 1960s this strand was continued by entertainer Andy Stewart.

He was born in Glasgow in 1933, the son of a teacher. He moved to Arbroath as a child and then trained as an actor at the Royal Scottish Academy of Music and Drama in Glasgow. He had several hit singles - "Come in-Come in", "Donald where's yer troosers?", "A Scottish Soldier" (36 weeks in the chart in 1961), "Campbeltown Loch", "The Muckin' O' Geordie's Byre", "Tunes of Glory", and "Dr. Finlay". He is also remembered for being the compere of "The White Heather Club". This was a BBC television programme that existed as an annual New Year's Eve party (1957 - 1968) and also as a weekly early evening series (1960 - 1968). "Donald Where's Yer Troosers?" was a hit in 1961 and again in 1989. Andy does an Elvis impersonation half way through the song. On the strength of this comedy hit, Andy toured Australia and appeared on the Ed Sullivan show in 1968, doing impersonations of Dean Martin.
His albums, such as "Scottish Soldier" and "Andy Stewart's Scotland", were also popular internationally.

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Dusty Young

"The World's Favorite Irish Comedian"
Dusty Young - Complete list of Albums...

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Séamus Begley & Stephen Cooney

This unlikely pairing of an Australian ex-rocker guitarist (Stephen Cooney) and Kerry accordion player (Seamus Begley) is now recognized as one of the top acts in Irish music, playing traditional dance music with a fire that is true to the tradition, and much appreciated by the dancers for whom the music exists. The duo specialize in the songs and dance music of the Cork/Kerry region, mixing the local polkas and slides with the more usual jigs, reels and hornpipes. The music is naturally full of vigor and energy; this pair are true to this essence, but bring their own style and innovations that have made their music wildly popular around the world.

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Shaun Connors

A night in the company of this seasoned performer can range from side-splitting comedy banter to spell-binding and hilarious after dinner speaking - and he possesses a superb singing voice as well.

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Tim O'Riordan & Natural Gas

Natural Gas is a four-piece group.  They have a gigantic repertoire from slow and plaintive love songs to lively sea shanties to rousing ballads, poetry and recitations and lively dance music played on a wide range of instruments including fiddle, uilleann pipes, guitar, tin whistle, accordion, harmonica, bass and bodhran. Although their roots are firmly based in traditional music, the band has no problem in traversing all musical styles.  They’re quite at home performing covers like Neil Young’s ‘Keep on Rockin’ in the Free World’ or L.L. Cool J’s rap anthem ‘I need Love’ easily blending jigs and reels with these songs to put their own stamp on them.  Many tales, not all of them repeatable, abound as to where the band derived their name.  One sanitized version explains a “gas man” as somebody humourous or good fun to be with.  Natural speaks for itself, no tricks or gimmickry here, just honest music from the heart.

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Conal Gallen

Conal Gallen

Conal has 17 albums and four videos to his credit along with 11 television appearances and several hit fun singles. He has also received several awards, including, ' Best Irish Comedian in the UK ' 2001/2002, presented by The Irish World newspaper in London, and ' Comedian of the Year ' 2000 presented by LM/FM Radio. The US also recognised Conal Gallen's talent when in 2001 The Donegal Association in Boston invited him to their Annual Banquet and presented him with an award as Ireland's Ambassador of Humour.

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Christy Moore

Christy Moore,
The starting point of my life as a musician.

As I recall today my first gig was in the original Embankment in Tallaght in 1965. I was booked by the late Peggy Jordan to play in this great venue, then being developed by Mick McCarthy (The real Mick McCarthy). I was paid ten shillings. I bought a shirt for 7/6 and went to town on the balance.
At this time the scene that was emerging in Dublin mesmerized me but I found it impossible to get a foot in the door. I had a small repertoire of good songs and I always went down well when I got a chance to sing. But looking back now I was probably not cool enough for the bookers.
I moved to England in ’66 and via work on buildings, factories, oilrigs I ended up on the folk club circuit in Manchester in 1967. My first gig as a professional folk singer was at The Wellgreen Folk Club, Manchester on May 4th. I was paid £6 and I sang:

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Francis Black

FRANCES BLACK's professional singing debut was in 1986, when she began performing with her three brothers and sister (Shay, Michael, Martin, Mary, Frances) as The Black Family, performing a mix of traditional and contemporary/traditional Irish music. With The Black Family, she did two major tours of Ireland in the late 1980s, and appears on both recorded albums [see discography].

The three brothers, Shay, Michael and Martin, released an album, What A Time, on the Blix Street label in 1995. Frances appears on vocals and backing vocals on most of the tracks. The recording also includes Patty Black, their mother, doing a particularly fun rendition of Now I Have to Call Him Father

In 1988, after recording the second Black Family album, Time For Touching Home, Frances joined the group Arcady as vocalist (with former De Dannan member Johnny McDonagh, and Brendan Larrissey, Patsy Broderick, Sean Keane, Cathal Hayden, Sharon Shannon, and Paul Doyle). While Frances was with Arcady, the group toured internationally - including Europe, Iraq and the U.S. - and recorded their debut album, After The Ball, containing a mixture of traditional tunes and vocals/songs. The single for the album's title track, the song After the Ball - on which Frances recorded vocals - went to #7. The album was #6 on the Irish charts and also successful in the U.S. folk market.
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